My work exists at the intersection of lyrical abstraction, ecological symbolism, and psychological landscape painting. Through layered surfaces, organic forms, and intuitive mark-making, I explore the relationship between nature, consciousness, and the unseen structures that shape human experience. 

Working primarily on raw canvas, linen, wood panel, and paper, I am deeply influenced by the material presence of natural surfaces and fibers. The paintings evolve through accumulation, erosion, gesture, and reconstruction, creating spaces that feel both elemental and psychological. A restrained palette rooted in blues, greens, earth tones, and moments of red reflects my ongoing connection to landscape, atmosphere, and emotional resonance. Influenced by symbolism, sacred geometry, mythic archetypes, and universal patterns found in nature, my recent work examines themes of environmental fragility, collective psychological unrest, polarity between masculine and feminine forces, and the search for grounding within an increasingly fragmented cultural climate.

My process is intuitive but guided by underlying compositional structures, including the use of Pythagorean armatures and geometric systems that create tension between spontaneity and order. I am interested in the balance between chaos and coherence — between what is felt instinctively and what is constructed consciously.

There is a spiritual undercurrent within the work, not in a doctrinal sense, but through an interest in resonance, intuition, memory, and interconnectedness. The paintings are intended as contemplative spaces where beauty and unease coexist, inviting reflection on humanity’s relationship to the Earth and to itself. This body of work continues my ongoing exploration of what I refer to as “the Earth Idyllic” — a vision of reconnection between humanity, intuition, and the living world.